Japanese Literature & Visual Culture

Christina Yi

Christina Yi

Associate Professor of Japanese Literature

Office: 408 Kent Hall
Email: csy2103@columbia.edu

Educational Background:

BA: University of Virginia (’05)
MA: Columbia University (’09)
PhD: Columbia University (’13)

Classes Taught:

AHUM UN3830 Colloquium on Modern East Asian Texts
JPNS GU4008 Readings in Classical Japanese
JPNS GR9020 Graduate Seminar in Modern Japanese Literature

Research Interests:

Christina Yi is a scholar of modern and contemporary Japanese literature and culture, with a research focus on issues of postcoloniality, genre and narrative theory, language politics, and cultural studies. Her first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea (Columbia University Press, 2018), investigated how linguistic nationalism and national identity intersect in the formation of modern literary canons through an examination of Japanese-language cultural production by Korean and Japanese writers from the 1930s through the 1950s. The research and writing of this project was funded through generous grants from the Northeast Asia Council of AAS, the Japan Society for the Promotion of Science, and the Social Sciences and Humanities Research Council (SSHRC), among others. Her current research project investigates the discursive formation and theoretical limits of “repatriation literature” (hikiage bungaku) through an examination of fiction, essays, and memoirs on the subject of repatriation to Japan, by both Japanese and non-Japanese writers. This project was funded by a SSHRC Insight Grant and Japan Foundation fellowship. Professor Yi is also an active translator, and was a recipient of the William F. Sibley Memorial Translation Prize for her translation of Kim Saryang’s “Pegasus” (Tenma).

Selected Publications:

Sole author: Imperial Testaments: Repatriation Narratives in Modern Japan (advance contract at Columbia University Press)

Co-editor: Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan’s East Asia Empire (University of Hawai’i Press, 2023)

Translator: Kim Sŏkpŏm, Death of a Crow (Karasu no shi; Seoul Selection, 2022)

Co-editor: “Zainichi Literature and Film” in Azalea: Journal of Korean Literature and Culture 12 (2019)

Sole author: Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea (Columbia University Press, 2018)

Tomi Suzuki

Tomi Suzuki

Professor of Japanese Literature, Faculty Curriculum Advisor
Office: 410 Kent Hall
Office Hours: On leave 2025-26
Phone: (212) 854-5034
Email: ts202@columbia.edu
Educational Background

BA: University of Tokyo (’74)
MA: University of Tokyo (’77)
PhD: Yale University (’88)

Classes Taught

AHUM U3830 Colloquium on Modern East Asian Texts
JPNS GU4008 Readings in Classical Japanese
JPNS GR9020 Graduate Seminar in Modern Japanese Literature

Research Interests

Modern Japanese Literature and Criticism in Comparative Context, Literary and Cultural Theory, Narrative, Genre, and Gender Theory, Modernism and Modernity, Intellectual History of Modern Japan, History of Reading

Professor Suzuki joined the department at Columbia University in 1996. She has published extensively in both the English and Japanese languages.  Currently, Professor Suzuki is completing a book entitled Gender, Literary Culture, and Nation in Japan: 1880s-1950s, which investigates the formation of the literary field from the late nineteenth century to the postwar period in relationship to gender construction, language reform, and education. It explores the modernist construction and questioning of Japanese linguistic and cultural traditions in a transnational context. Most recently, she co-edited The Cambridge History of Japanese Literature.

Selected Publications

The Cambridge History of Japanese Literature (co-editor, Cambridge, 2016).

“Translations and Modern Japanese Literature: Re-reading Mori Ogai’s Maihime at Columbia University,” Bungaku (2014, in Japanese)

“Transformations and Continuities: Censorship and Occupation-Period Criticism,” in Occupation-period Literary Journals: 1946–1947, vol. 2 (Iwanami Shoten, 2010, in Japanese)

Censorship, Media, and Literary Culture in Japan (author and co-editor, Shin’yōsha, 2012)

Inventing the Classics: Modernity, National Identity, and Japanese Literature (author and co-editor, Stanford University, 2001)

Narrating the Self: Fictions of Japanese Modernity (Stanford, 1996)

Haruo Shirane

Haruo Shirane

Shincho Professor of Japanese Literature, Vice Chair of the Department of East Asian Languages and Cultures, Faculty Director of the Donald Keene Center

Office: 420 Kent Hall
Office Hours: On leave for the 2025-2026 academic year
Phone: (212) 854-5031
Email: hs14@columbia.edu

Educational Background

BA: Columbia College (’74)
MA: University of Michigan (’77)
PhD: Columbia University (’83)

Classes Taught

JPNS GU4007 Introduction to Classical Japanese
JPNS GR8040 Graduate Seminar in Premodern Japanese Literature

Research Interests

Japanese Literature, Print Culture, Performance and Media

Haruo Shirane, Shincho Professor of Japanese Literature and Culture and chair of the Department of East Asian Languages and Cultures at Columbia University, teaches and writes on premodern and early modern Japanese literature and culture, with particular interest in prose fiction, poetry, performative genres (such as storytelling and theater), and visual culture. He is finishing a book called Media, Performance, and Play: Japanese Culture from Outside In, which focuses on the role of manuscript culture, media, vocality, and performance, viewing cultural processes from the social periphery. Japan and the Culture of the Four Seasons (Columbia University Press, 2012) explored the cultural constructions of nature across a wide spectrum of literature, media, and visual arts from the ancient period to the modern. Most recently, he has coedited Monsters, Animals, and Other Worlds: A Collection of Short Medieval Tales (Columbia University Press, 2018); Reading The Tale of Genji: The First Millennium(Columbia University Press, 2015); and Cambridge History of Japanese Literature (Cambridge University Press, 2015).

Haruo Shirane has been engaged in bringing new approaches to the study of Japanese literary culture. This has resulted in Japanese Literature and Literary Theory (Nihon bungaku kara no hihyo riron, Kasama shoin, 2009, edited with Fujii Sadakazu and Matsui Kenji) and New Horizons in Japanese Literary Studies (Bensei Publishing, 2009), both of which explore new issues and methodologies in the study of print and literary culture. He also edited Food in Japanese Literature (Shibundo, 2008), Overseas Studies on The Tale of Genji (Ofu, 2008) and Envisioning The Tale of Genji: Media, Gender, and Cultural Production (Columbia University Press, 2008). The latter two books analyze the impact of The Tale of Genji on Japanese cultural history in multiple genres and historical periods.

Haruo Shirane translated and edited a number of volumes on Japanese literature. These include Classical Japanese Literature, An Anthology: Beginnings to 1600 (Columbia University Press, 2006), Early Modern Japanese Literature: An Anthology, 1600-1900 (Columbia University Press, 2002; abridged edition, 2008), The Tales of the Heike (Columbia University Press, 2006, paperback 2008), and The Demon at Agi Bridge and Other Japanese Tales (Columbia University Press, 2010), a collection of setsuwa (anecdotal literature).

He is also deeply involved with the history of Japanese language and pedagogical needs and have written Classical Japanese Reader and Essential Dictionary (2007) and Classical Japanese: A Grammar (Columbia University Press, 2005).

Haruo Shirane is the recipient of Fulbright, Japan Foundation, SSRC, NEH, and Hakuhodo grants, and has been awarded the Kadokawa Genyoshi Prize, Ishida Hakyo Prize, and most recently the Ueno Satsuki Memorial prize (2010) for outstanding research on Japanese culture. He is presently the Chair of the Department of East Asian Languages and Cultures.

Professor’s Shirane’s personal website

Selected Publications

Cambridge History of Japanese Literature (chief editor, Cambridge, 2015)

Japan and the Culture of the Four Seasons (Columbia, 2012)

Inventing the Classics: Modernity, National Identity, and Japanese Literature (co-editor with Tomi Suzuki, 2001).

Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Bashô (Stanford, 1998)

The Bridge of Dreams: A Poetics of the Tale of Genji (Stanford, 1987)