Faculty-Period

Gray Tuttle

Gray Tuttle

Leila Hadley Luce Professor of Modern Tibetan Studies, Chair of the Department of East Asian Languages and Cultures

Office: 401 Kent Hall
Office Hours: By appointment
Phone: (212) 854-4096
Email: gwt2102@columbia.edu

Educational Background

BA: Princeton University (’91)
MA: Harvard University (’96)
PhD: Harvard University (’02)

Classes Taught

ASCE UN1365 Introduction to East Asian Civilizations: Tibet
EARL GU4310 Life Writing in Tibetan Buddhism
HSEA GU4720 20th Century Tibetan History

Research Interests

Tibetan History & Religion

Gray Tuttle studies modern Tibetan history, from the 1600s to the 1950s. The role of Tibetan Buddhism in the history of twentieth century Sino-Tibetan relations as well as Tibet’s relations with the China-based Manchu Qing Empire is central to all his research. In his Tibetan Buddhists in the Making of Modern China (Columbia UP, 2005), he examined the failure of nationalism and race-based ideology to maintain the Tibetan territory of the former Qing empire as integral to the Chinese nation-state. Instead, he argues, a new sense of pan-Asian Buddhism was critical to Chinese efforts to hold onto Tibetan regions (one quarter of China’s current territory). His current research project, “Amdo Tibet, Middle Ground between Lhasa and Beijing (1578-1865),” is a historical analysis of the economic and cultural relations between China and Tibet in the early modern periods (16th – 19th centuries) when the intellectual and economic centers of Tibet shifted to the east, to Amdo — a Tibetan cultural region the size of France in northwestern China. Deploying Richard White’s concept of the “Middle Ground” in the context of two mature civilizations — Tibetan and Chinese — encountering one another, this book will examine how this contact led to three dramatic areas of growth that defined early modern Tibet: 1) the advent of mass monastic education, 2) the bureaucratization of reincarnate lamas’ charisma and 3) the development of modern conceptions of geography that reshaped the way Tibet was imagined. Recently he has turned to increasingly large data sets in an effort to ask and answer new questions about Tibetan history. In an effort to ask and answer new questions about Tibetan history, Gray has turned to increasingly large data sets over the course of his career. Starting with a database of over 1000 Amdo monasteries with dozens of fields of data (GIS location, foundation data, number of monks, rooms, livestock, etc), led to building datasets on 100s of incarnation series and monastic colleges as well, which have shaped the direction of the Amdo history book project in significant ways. Lately, with a research assistant, Gray has worked with larger datasets and the statistical computing and graphing programming language called “R” to examine existing data on Tibetan (mostly monk’s) longevity in comparison with Chinese monks, Chinese literati, and Europeans in history. Future plans include working with even larger datasets by examining the hydrology of the Tibetan plateau with climate scientists, to see if new perspectives of the large arcs of Tibetan history might be reframed by a deeper understanding of climate data.

Selected Publications

With Lan Wu. “Tibetan Buddhist Vanguards among the Mongols and Manchus, 1576-1638.” Revue d’Etudes Tibétaines, (October 2021).

“Pattern Recognition: Tracking the Spread of the Incarnation Institution through Time and across Tibetan Territory.” Revue d’Etudes Tibétaines. 38 (February 2017)

Ethnic Conflict and Protest in Tibet and Xinjiang: Unrest in China’s West. Co-edited with Ben Hillman. New York: Columbia University Press, 2016.

Sources of Tibetan Tradition (co-editor, Columbia, 2013)

The Tibetan History Reader (co-editor, Columbia, 2013)

Tibetan Buddhists in the Making of Modern China (Columbia, 2005)

Tomi Suzuki

Tomi Suzuki

Professor of Japanese Literature, Director of Graduate Studies

Office: 410 Kent Hall
Office Hours: T 4:30-5:30 PM (by appointment) or by appointment
Phone: (212) 854-5034
Email: ts202@columbia.edu

Educational Background

BA: University of Tokyo (’74)
MA: University of Tokyo (’77)
PhD: Yale University (’88)

Classes Taught

AHUM U3830 Colloquium on Modern East Asian Texts
JPNS GU4008 Readings in Classical Japanese
JPNS GR9020 Graduate Seminar in Modern Japanese Literature

Research Interests

Modern Japanese Literature and Criticism in Comparative Context, Literary and Cultural Theory, Narrative, Genre, and Gender Theory, Modernism and Modernity, Intellectual History of Modern Japan, History of Reading

Professor Suzuki joined the department at Columbia University in 1996. She has published extensively in both the English and Japanese languages.  Currently, Professor Suzuki is completing a book entitled Gender, Literary Culture, and Nation in Japan: 1880s-1950s, which investigates the formation of the literary field from the late nineteenth century to the postwar period in relationship to gender construction, language reform, and education. It explores the modernist construction and questioning of Japanese linguistic and cultural traditions in a transnational context. Most recently, she co-edited The Cambridge History of Japanese Literature.

Selected Publications

The Cambridge History of Japanese Literature (co-editor, Cambridge, 2016).

“Translations and Modern Japanese Literature: Re-reading Mori Ogai’s Maihime at Columbia University,” Bungaku (2014, in Japanese)

“Transformations and Continuities: Censorship and Occupation-Period Criticism,” in Occupation-period Literary Journals: 1946–1947, vol. 2 (Iwanami Shoten, 2010, in Japanese)

Censorship, Media, and Literary Culture in Japan (author and co-editor, Shin’yōsha, 2012)

Inventing the Classics: Modernity, National Identity, and Japanese Literature (author and co-editor, Stanford University, 2001)

Narrating the Self: Fictions of Japanese Modernity (Stanford, 1996)

Haruo Shirane

Haruo Shirane

Shincho Professor of Japanese Literature, Vice Chair of the Department of East Asian Languages and Cultures, Faculty Director of the Donald Keene Center

Office: 420 Kent Hall
Office Hours: On leave for the spring 2020 semester
Phone: (212) 854-5031
Email: hs14@columbia.edu

Educational Background

BA: Columbia College (’74)
MA: University of Michigan (’77)
PhD: Columbia University (’83)

Classes Taught

JPNS GU4007 Introduction to Classical Japanese
JPNS GR8040 Graduate Seminar in Premodern Japanese Literature

Research Interests

Japanese Literature, Print Culture, Performance and Media

Haruo Shirane, Shincho Professor of Japanese Literature and Culture and chair of the Department of East Asian Languages and Cultures at Columbia University, teaches and writes on premodern and early modern Japanese literature and culture, with particular interest in prose fiction, poetry, performative genres (such as storytelling and theater), and visual culture. He is finishing a book called Media, Performance, and Play: Japanese Culture from Outside In, which focuses on the role of manuscript culture, media, vocality, and performance, viewing cultural processes from the social periphery. Japan and the Culture of the Four Seasons (Columbia University Press, 2012) explored the cultural constructions of nature across a wide spectrum of literature, media, and visual arts from the ancient period to the modern. Most recently, he has coedited Monsters, Animals, and Other Worlds: A Collection of Short Medieval Tales (Columbia University Press, 2018); Reading The Tale of Genji: The First Millennium(Columbia University Press, 2015); and Cambridge History of Japanese Literature (Cambridge University Press, 2015).

Haruo Shirane has been engaged in bringing new approaches to the study of Japanese literary culture. This has resulted in Japanese Literature and Literary Theory (Nihon bungaku kara no hihyo riron, Kasama shoin, 2009, edited with Fujii Sadakazu and Matsui Kenji) and New Horizons in Japanese Literary Studies (Bensei Publishing, 2009), both of which explore new issues and methodologies in the study of print and literary culture. He also edited Food in Japanese Literature (Shibundo, 2008), Overseas Studies on The Tale of Genji (Ofu, 2008) and Envisioning The Tale of Genji: Media, Gender, and Cultural Production (Columbia University Press, 2008). The latter two books analyze the impact of The Tale of Genji on Japanese cultural history in multiple genres and historical periods.

Haruo Shirane translated and edited a number of volumes on Japanese literature. These include Classical Japanese Literature, An Anthology: Beginnings to 1600 (Columbia University Press, 2006), Early Modern Japanese Literature: An Anthology, 1600-1900 (Columbia University Press, 2002; abridged edition, 2008), The Tales of the Heike (Columbia University Press, 2006, paperback 2008), and The Demon at Agi Bridge and Other Japanese Tales (Columbia University Press, 2010), a collection of setsuwa (anecdotal literature).

He is also deeply involved with the history of Japanese language and pedagogical needs and have written Classical Japanese Reader and Essential Dictionary (2007) and Classical Japanese: A Grammar (Columbia University Press, 2005).

Haruo Shirane is the recipient of Fulbright, Japan Foundation, SSRC, NEH, and Hakuhodo grants, and has been awarded the Kadokawa Genyoshi Prize, Ishida Hakyo Prize, and most recently the Ueno Satsuki Memorial prize (2010) for outstanding research on Japanese culture. He is presently the Chair of the Department of East Asian Languages and Cultures.

Professor’s Shirane’s personal website

Selected Publications

Cambridge History of Japanese Literature (chief editor, Cambridge, 2015)

Japan and the Culture of the Four Seasons (Columbia, 2012)

Inventing the Classics: Modernity, National Identity, and Japanese Literature (co-editor with Tomi Suzuki, 2001).

Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Bashô (Stanford, 1998)

The Bridge of Dreams: A Poetics of the Tale of Genji (Stanford, 1987)