Faculty-Period

Matthew McKelway

mckelwayMatthew McKelway

TAKEO AND ITSUKO ATSUMI PROFESSOR OF JAPANESE ART HISTORY

Office: 919 Schermerhorn Hall
Phone: (212) 854-3182
Email: mpm8@columbia.edu

Educational Background

PhD: Columbia University (’99)

Classes Taught

HUMA OC1121 Masterpieces of Western Art
AHIS GR8609 Calligraphy in East Asia
AHIS GR8128 Edo Period Painting

Research Interests

Japanese Art History, Urban Representation, Materiality of Painting

Matthew McKelway specializes in the history of Japanese painting. His research has focused on urban representation in rakuchū rakugai zu (screen paintings of Kyoto), the development of genre painting in early modern Japan, Kano school painting, and individualist painters in 18th century Kyoto. Interests in the materiality and techniques of Japanese painting and the early Kano workshop have led to recent articles and a current book project on fan paintings as media for social intercourse and pictorial experimentation. In addition to his research on fan paintings, he is conducting an ongoing study of the painter Nagasawa Rosetsu.

The courses McKelway offers include surveys of Japanese art and more specialized undergraduate courses on painting and Buddhist art. Topics of graduate seminars and lectures have ranged from narrative handscrolls and Muromachi ink painting to the Kano school, Rimpa, and Edo-period painting. To graduate students in Japanese art history and other disciplines he also offers instruction in reading early Japanese scripts (hentaigana/kuzushiji). Current doctoral students have received research fellowships from the Fulbright commission, the Japan Foundation, the Japanese Ministry of Education, and the Shinchō Foundation.

Professor McKelway has been the Ishibashi Gastprofessur at the University of Heidelberg, and has also held visiting professorships at the Free University of Berlin and Waseda University. His Department of Art History & Archaeology page can be found here.

Selected Publications

Silver Wind: The Arts of Sakai Hōitsu (1761-1828) (Japan Society/Yale University Press, 2012)

Capitalscapes: Folding Screens and Political Imagination in Late Medieval Kyoto (University of Hawaii, 2006)

Traditions Unbound: Groundbreaking Painters from Eighteenth-Century Kyoto (San Francisco Asian Art Museum, 2005)

David Lurie

lurieDavid Lurie

Wm. Theodore and Fanny Brett de Bary and Class of 1941 Collegiate Professor of Asian Humanities and Associate Professor of Japanese History and Literature

Office: 622 Kent Hall

Phone: (212) 854-5316

Educational Background

BA: Harvard University (’93)
MA: Columbia University (’96)
PhD: Columbia University (’01)

Classes Taught

JPNS GU4519 Introduction to Kanbun
EAAS UN2342 Mythology of East Asia
CPLS 3900 Introduction to Comparative Literature and Society
JPNS GR8040 Graduate Seminar in Premodern Japanese Literature

Research Interests

Japanese History and Literature, Technology of Language in Premodern Japan

In addition to the history of writing systems and literacy, David Lurie’s research interests include: the literary and cultural history of premodern Japan; the Japanese reception of Chinese literary, historical, and technical writings; the development of Japanese dictionaries and encyclopedias; the history of linguistic thought; Japanese mythology; and world philology. Professor Lurie’s first book investigated the development of writing systems in Japan through the Heian period. Entitled Realms of Literacy: Early Japan and the History of Writing, it received the Lionel Trilling Award in 2012. Along with Haruo Shirane and Tomi Suzuki, he was co-editor of the Cambridge History of Japanese Literature (2015), to which he contributed chapters on myths, histories, gazetteers, and early literature in general. He is completing a new scholarly monograph, tentatively entitled The Emperor’s Dreams: Reading Japanese Mythology.

Please see his website for a complete list of publications and contributions.

Selected Publications

“Japanese Lexicography from ca. 1800 to the Present,” in The Cambridge World History of Lexicography, ed. John Considine, Cambridge University Press, 2019

“Parables of Inscription: Some Notes on Narratives of the Origin of Writing,” History and Theory 56, December 2018

Realms of Literacy: Early Japan and the History of Writing (Harvard University Asia Center, 2011)

“The Development of Japanese Writing,” in The Shape of Script: How and Why Writing Systems Change (SAR Press, 2012)

Lydia H. Liu

Lydia Liu

Wun Tsun Tam Professor in the Humanities

Office: 406 Kent Hall
Office Hours: Wed 4pm-6pm
Phone: (212) 854-5631
Email: ll2410@columbia.edu

Educational Background

BA: Northwestern Normal University
MA: Shangdong University
PhD: Harvard University

Classes Taught

EAAS UN3927 China in the Modern World
EAAS G8035 Lu Xun and Modern China
CPLS GR6100 Introduction to Comparative Literature and Society
CLEA 6120GR Race and Empire in the Asia Pacific

EAASGR6712 The Chinese Avant-Garde: A Political History

Research Interests

Modern Chinese literature and comparative literature, media studies, philosophy of language, and critical translation theory.

Lydia H. Liu is the Wun Tsun Tam Professor in the Humanities and former Director of the Institute for Comparative Literature and Society. Her research centers on modern China, cross-cultural exchange, and global transformation in modern history, with a focus on the movement of words, theories, and artifacts across national boundaries and on the evolution of writing, textuality, and media technology.

Professor Liu teaches courses on modern Chinese literature and culture in the Department of East Asian Languages and Cultures and offers graduate courses on comparative literature, critical translation theory, and digital media at the Institute for Comparative Literature and Society.

She is the author of The Freudian Robot: Digital Media and the Future of the Unconscious (University of Chicago Press, 2010); The Clash of Empires: The Invention of China in Modern World Making (Harvard UP, 2004); and Translingual Practice: Literature, National Culture, Translated Modernity (Stanford UP, 1995). Her other books include Tokens of Exchange: The Problem of Translation in Global Circulations (editor, Duke, 1999); an edited volume in Chinese called The Global Order and the Standard of Civilization (Beijing Sanlian, 2016) which appeared in Korean edition translated by Tae-Geun Cha (Gyoyudang Press) in 2022. Her co-edited volume The Birth of Chinese Feminism with Rebecca Karl and Dorothy Ko (Columbia UP, 2013) is on the New York Public Library’s list of Essential Reads on Feminism.

More recently, Professor Liu has published the following articles/book chapters: “Wittgenstein in the Machine” in Critical Inquiry (Spring 2021); “The Incalculable: Thoughts on the Collapse of the Biosecurity Regime” in Critical Inquiry (Winter 2021); “Das Digitale in der psychischen Maschine “in Technosphäre (Berlin: Matthes & Seitz, 2019); “Die Erfindung des Freud’schen Roboters,” Springerin, no.4 (2019), and “The Gift of a Living Past” in Ashis Nandy: A Life in Dissent (Oxford UP, 2018); “The Battleground of Translation: Making Equal in a Global Structure of Inequality,” Alif: Journal of Comparative Poetics, 38 (2018).

As a creative writer, she published The Nesbit Code in Chinese with Oxford University Press in Hong Kong that won the 2014 Hong Kong Book Award.

Professor Liu was the recipient of a Guggenheim Fellowship (1997–1998) and a fellow of the Wissenschaftskolleg in Berlin (2004–2005); a member of the Institute for Advanced Study in Princeton (2018-2019). In 2021, she was elected to the Executive Committee of the International Council for Philosophy and Human Sciences under the auspices UNESCO.

Selected Publications

The Freudian Robot: Digital Media and the Future of the Unconscious (University of Chicago Press, 2010).

The Clash of Empires: The Invention of China in Modern World Making (Harvard, 2004)

Tokens of Exchange: The Problem of Translation in Global Circulations (editor, Duke, 1999)

Translingual Practice: Literature, National Culture, and Translated Modernity (Stanford, 1995)

The Birth of Chinese Feminism: Essential Texts in Transnational Feminism (co-author with Rebecca Karl and Dorothy Ko, Columbia, 2013)