Anna Dai

Field: Japanese Literature
Advisor: Tomi Suzuki
Email: kd2657@columbia.edu

Anna is a Ph.D. student in modern Japanese literature. She focuses on the cross-fertilization of literature and fine arts during the Meiji and Taishō periods in the cosmopolitan setting of Tokyo. She is interested in the representation and imagination of art objects in fictional spaces. Her research highlights the rise of art journalism and literary circles as potent sites for the translation and circulation of emerging discourses on artistic mediums and aesthetics between Japan and Europe that were relevant to the development of Japanese literature and language at the turn of the 20th century. Her interest in aspects of art in the context of literature is influenced by her previous
background in art history. She received her M.A. in art history from Courtauld Institute of Art (London), with a focus on the Aesthetic Movement, and her B.A. from UCLA.

Roya Grace Chu

Field: Modern Chinese History
Advisor: Eugenia Lean & Madeleine Zelin
Email: rgc2145@columbia.edu

Roya is a Ph.D. student in the History-East Asia Program. She is interested in the interface between science and technology, local society and state-building processes in late imperial and modern China. Her current research revolves around the artisanal tea industry in China, with an aim to trace its participation in transnational circuits of knowledge coproduction and to explore the tensions between quotidian lives, state ambitions and global currents. Before joining the program, she received a B.A. (Hons) in History with distinction from University College London (2021) and an M.A. in Regional Studies: East Asia from Columbia University (2023).

Danny M.C. Ching

Field: Tibetan and Chinese History, Sino-Tibetan Buddhist Art
Advisor: Gray Tuttle
Email: mc5468@columbia.edu

Danny M.C. Ching is a Ph.D. student in the East Asia-History program. He received his MSc. in Visual, Material, and Museum Anthropology from the University of Oxford, M.A. in Asian Studies from the Universiteit Leiden, and B.A. in Translation from the Chinese University of Hong Kong.

Danny’s primary research interest lies in the visual representation of the Gesar epic. Specifically, he focuses on how the open-ended, non-essentialist, and liminal pan-Central Asian oral tradition has been translated into an art genre. He aims to unravel how the development of Gesar art reflects political and sociocultural changes in Tibet, China, and Inner Asia. This exploration is particularly relevant as the oral epic navigates between forbidden and canonical status due to shifting ideologies of different authorities. His other research interests include Sino-Tibetan Buddhist art at the Ming and Qing imperial courts, as well as Buddhist art history in general.

Before starting his doctoral studies at Columbia, Danny worked as an Assistant Curator at the Hong Kong Palace Museum. He made curatorial contributions to various exhibitions, including “Entering the Forbidden City: Architecture, Collection, and Heritage”, “Clay to Treasure: Ceramics from the Palace Museum Collection”, and “Private to Public: The History of Chinese Art Collecting in Hong Kong”. Additionally, he curated the “Buddhist Art Across Borders” exhibition at Barakat Gallery Hong Kong.

Since 2016, Danny has partnered with a Hong Kong-based startup to organize cultural tours to Tibet, specifically catering to university students and young professionals. Over the years, he personally led multiple tours to the Tibetan Autonomous Region, curated reading materials on Tibetan history, and delivered thematic lectures both on-site and during transit.

Recent Publications:

• (2022) ‘The Yongzheng Emperor: A Control Freak?’, ‘The Qianlong Emperor: Imperial Vandalism?’, ‘Tang Ying: Master of Glaze’, ‘Master Craftsmen from the Tibetan Plateau’, ‘Winter Olympics: The Qing Court Version’, ‘A Birthday Gift Befitting an Empress Dowager’, in Tales of the Forbidden City: 1644–1911, Hong Kong: The Commercial Press (Hong Kong), p. 62–63, 82–83, 118–119, 120–121, 218–219, 238–239.
• (2022) (co-author) ‘Private to Public: History of Chinese Art Collecting in Hong Kong’, Arts of Asia, Summer 2022, p.70–80.

(2019) (ed.) Buddhist Art from the Barakat Collection. Seoul: Barakat Gallery.