Art History

Matthew McKelway

mckelwayMatthew McKelway

TAKEO AND ITSUKO ATSUMI PROFESSOR OF JAPANESE ART HISTORY

Office: 919 Schermerhorn Hall
Phone: (212) 854-3182
Email: mpm8@columbia.edu

Educational Background

PhD: Columbia University (’99)

Classes Taught

HUMA OC1121 Masterpieces of Western Art
AHIS GR8609 Calligraphy in East Asia
AHIS GR8128 Edo Period Painting

Research Interests

Japanese Art History, Urban Representation, Materiality of Painting

Matthew McKelway specializes in the history of Japanese painting. His research has focused on urban representation in rakuchū rakugai zu (screen paintings of Kyoto), the development of genre painting in early modern Japan, Kano school painting, and individualist painters in 18th century Kyoto. Interests in the materiality and techniques of Japanese painting and the early Kano workshop have led to recent articles and a current book project on fan paintings as media for social intercourse and pictorial experimentation. In addition to his research on fan paintings, he is conducting an ongoing study of the painter Nagasawa Rosetsu.

The courses McKelway offers include surveys of Japanese art and more specialized undergraduate courses on painting and Buddhist art. Topics of graduate seminars and lectures have ranged from narrative handscrolls and Muromachi ink painting to the Kano school, Rimpa, and Edo-period painting. To graduate students in Japanese art history and other disciplines he also offers instruction in reading early Japanese scripts (hentaigana/kuzushiji). Current doctoral students have received research fellowships from the Fulbright commission, the Japan Foundation, the Japanese Ministry of Education, and the Shinchō Foundation.

Professor McKelway has been the Ishibashi Gastprofessur at the University of Heidelberg, and has also held visiting professorships at the Free University of Berlin and Waseda University. His Department of Art History & Archaeology page can be found here.

Selected Publications

Silver Wind: The Arts of Sakai Hōitsu (1761-1828) (Japan Society/Yale University Press, 2012)

Capitalscapes: Folding Screens and Political Imagination in Late Medieval Kyoto (University of Hawaii, 2006)

Traditions Unbound: Groundbreaking Painters from Eighteenth-Century Kyoto (San Francisco Asian Art Museum, 2005)

Robert Harrist

Robert E. Harrist Jr.

JANE AND LEOPOLD SWERGOLD PROFESSOR OF CHINESE ART HISTORY

Office: 933 Schermerhorn Hall
Office Hours: By appointment only
Phone: (212) 854-8532
Email: reh23@columbia.edu

Educational Background

BS: Indiana University (’75)
MA: Columbia University (’80)
PhD: Princeton University (’89)

Robert E. Harrist Jr. has published books and articles on Chinese painting, calligraphy, and gardens, as well as on topics such as replicas in Chinese art, clothing in 20th-century China, and contemporary artists such as Xu Bing. His most recent book, The Landscape of Words, which studies the role of language in shaping perceptions of the natural world, was awarded the Joseph Levenson Prize in 2010.

Selected Publications

The Landscape of Words (Washington, 2008)

Painting and Private Life in Eleventh-Century China: Mountain Villa by Li Gonglin, (Princeton, 1998)

Power and Virtue: The Horse in Chinese Art (Art Media Resources, 1997)