Ancient

Agnes Hsu-Tang

Agnes Hsu-Tang

Adjunct Senior Research Scholar
Educational Background

BA: Bryn Mawr College
MA: University of Pennsylvania
PhD: University of Pennsylvania (’04)

Dr. Agnes Hsu-Tang is Board Chair of The New York Historical and Co-chair of the Objects Conservation Visiting Committee at the Metropolitan Museum of Art.

Trained as an archaeologist and art historian, Dr. Hsu-Tang served on UNESCO’s (Paris) scientific committees from 2006 to 2013, participated on missions to Uzbekistan, Turkmenistan and Xinjiang, and authored a white paper on the multi-national UNESCO inscriptions of the Qhapag Ñan (the Incan Road) and the Continental Silk Road (Chang’an to Tianshan Corridor).  From 2013 to 2014, Agnes advised President Obama’s Cultural Property Advisory Committee on the renewal of a bilateral agreement to reduce the illicit trafficking of cultural objects.  Agnes began her training in Classical languages in high school, and studied Classical art and archaeology and English literature at Bryn Mawr College.  After college, Agnes served as a special assistant to the late U.S. Ambassador James R. Lilley, a former envoy to China and Korea.  She also holds a M.A. in East Asian and Middle Eastern Studies from the University of Pennsylvania.

Agnes was a Mellon pre-doctoral fellow in History of Science at the Needham Research Institute at Cambridge University in 2003; she received her Ph.D. from the University of Pennsylvania in 2004.  From 2004 to 2007, Dr. Hsu-Tang was an inaugural Joukowsky fellow in archaeology at Brown University; she was a Mellon scholar in Classics at Stanford University from 2007 to 2008.  She joined Columbia University in 2015 and was appointed Distinguished Consulting Scholar at University of Pennsylvania’s Museum of Archaeology and Anthropology in 2018.

From 2008 to 2015, Dr. Hsu-Tang was involved in several international films on art and archaeology.  She was the bi-lingual host and narrator of two award-winning documentary series: an archaeology series on History Channel Asia (2011-2013), and a contemporary art series on Discovery Channel Asia (2014-2015) that premiered during 2014 Art Basel Hong Kong.  Her prior film credits include “The Giant Buddha at Leshan” (2009) and “Xi’an: China’s Forgotten City” (2010) on Discovery USA, “China’s Terracotta Warriors” on PBS (2011), and Mankind: The Story of All of Us series on History Channel (2012).

Dr. Hsu-Tang has been a director at the Institute of the Study of the Ancient World (ISAW) at New York University since 2013.  She is a co-founder of the Tang Center for Early China at Columbia University (2015), Tang Center for Silk Road Studies at UC Berkeley (2018), and Hsu-Tang Library for Classical Chinese Literature at Oxford University Press (2021).  She is a founding member of the Artist Protection Fund at the Institute of International Education (2014-2022), and served on the boards of the University of Pennsylvania’s Museum of Archaeology and Anthropology (2013-2018) and the Peabody Institute of Archaeology at Phillips Academy Andover (2015-2018).  She chaired Asia Society’s Global Arts Council (2015-2020), and was Executive Chair of Asia Society’s inaugural Triennial of Contemporary Asian Art in 2020.

Dr. Hsu-Tang is a longtime trustee of The New York Historical, and formerly, a managing director on the board of the Metropolitan Opera from 2014 to 2021, at which she chaired its nominating committee from 2018 to 2020 and served on the oversight committee.

Formerly trained as a Classical musician, Agnes made her debut at the Kennedy Center for the Performing Arts in 1989.  She is a recipient of two Mellon fellowships for her academic research, a teaching recognition from Brown University’s Department of History of Art and Architecture, and of the Institute of International Education’s (IIE) Centennial Medal and The Metropolitan Museum of Art’s Women Leaders Award for her work in cultural heritage.

Select Publications

“A Tomb with A View: Axonometry in Early Chinese Cartography” in Designing Boundaries: The Exercise of the Spatial Imagination in Pre-Modern China: Shaping the Expanse (Berlin: De Gruyter, 2022)

“Executive Chair’s Preface” and “Art of Virtue” in exhibition catalog We Do Not Dream Alone (Milan: Skira Editore SpA, 2021)

“Dreaming Together in a Divided World” in exhibition catalog Dreaming Together: New-York Historical Society and Asia Society (New York: New-York Historical Society, 2020)

“Structured Perceptions of Real and Imagined Landscapes in Early Imperial China” in Geography, Ethnography, and Perceptions of the World from Antiquity to the Renaissance (Oxford: Wiley-Blackwell, 2009)

“An Emic Perspective of the Ancient Mapmaker’s Art” in Journal of the Royal Asiatic Society (Cambridge: Cambridge University Press, 2007)

White paper: The Exceptional Universal Value of the Road Systems in Ancient Empires: A Comparative Study of the Chinese Oasis Route of the Early Silk Road and the Qhapag Ñan (Paris: UNESCO, 2006)

David Lurie

lurieDavid Lurie

Wm. Theodore and Fanny Brett de Bary and Class of 1941 Collegiate Professor of Asian Humanities and Associate Professor of Japanese History and Literature

Office: 622 Kent Hall

Phone: (212) 854-5316

Educational Background

BA: Harvard University (’93)
MA: Columbia University (’96)
PhD: Columbia University (’01)

Classes Taught

JPNS GU4519 Introduction to Kanbun
EAAS UN2342 Mythology of East Asia
CPLS 3900 Introduction to Comparative Literature and Society
JPNS GR8040 Graduate Seminar in Premodern Japanese Literature

Research Interests

Japanese History and Literature, Technology of Language in Premodern Japan

In addition to the history of writing systems and literacy, David Lurie’s research interests include: the literary and cultural history of premodern Japan; the Japanese reception of Chinese literary, historical, and technical writings; the development of Japanese dictionaries and encyclopedias; the history of linguistic thought; Japanese mythology; and world philology. Professor Lurie’s first book investigated the development of writing systems in Japan through the Heian period. Entitled Realms of Literacy: Early Japan and the History of Writing, it received the Lionel Trilling Award in 2012. Along with Haruo Shirane and Tomi Suzuki, he was co-editor of the Cambridge History of Japanese Literature (2015), to which he contributed chapters on myths, histories, gazetteers, and early literature in general. He is completing a new scholarly monograph, tentatively entitled The Emperor’s Dreams: Reading Japanese Mythology.

Please see his website for a complete list of publications and contributions.

Selected Publications

“Japanese Lexicography from ca. 1800 to the Present,” in The Cambridge World History of Lexicography, ed. John Considine, Cambridge University Press, 2019

“Parables of Inscription: Some Notes on Narratives of the Origin of Writing,” History and Theory 56, December 2018

Realms of Literacy: Early Japan and the History of Writing (Harvard University Asia Center, 2011)

“The Development of Japanese Writing,” in The Shape of Script: How and Why Writing Systems Change (SAR Press, 2012)

Michael Como

Michael Como

Tōshū Fukami Associate Professor of Shinto Studies

Office: 307 80 Claremont
Office Hours: On leave for the fall 2020 semester
Phone: (212) 854-4144
Email: mc2575@columbia.edu

Educational Background

BA: Harvard University (’85)
PhD: Stanford University (’00)

Classes Taught

AHUM UN1400 Colloquium on Major Texts: East Asia
RELI UN2308 East Asian Buddhism
EARL 9335 Graduate Seminar in Japanese Religion

Research Interests

Transmission and diffusion of rituals and deities to Japan, local religious traditions, urbanization and theological innovation

Michael Como’s recent research has focused on the religious history of the Japanese islands from the Asuka through the early Heian periods, with a particular focus upon the Chinese and Korean deities, rites and technological systems that were transmitted to the Japanese islands during this time. He is the author of several articles on the ritual and political consequences of the introduction of literacy, sericulture and horse-culture from the Asian sub-continent into ancient Japan. He is currently working on a new monograph that focuses upon urbanization and the materiality of performance and interpretation in Japanese religion in the eighth and ninth centuries.

Selected Publications

Medieval Shintō (co-editor with Bernard Faure and Iyanaga Nobumi, 2010)

Weaving and Binding: Immigrant Gods and Female Immortals in Ancient Japan (University of Hawaii, 2009)

Shōtoku: Ethnicity, Ritual and Violence in the Formation of Japanese Buddhism (Oxford University, 2008)