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lurieDavid Lurie

ASSOCIATE PROFESSOR

Office: 500C Kent
Office Hours: T 2:00-3:00, R 11:00-12:00
Teaching Hours: MW 1:10-2:25, W 4:10-6:00
Phone: (212) 854-5316
Email: dbl11@columbia.edu

Educational Background

BA: Harvard University (’93)
MA: Columbia University (’96)
PhD: Columbia University (’01)

Classes Taught

ASCE UN1361 Introduction to East Asian Civilizations: Japan
CPLS GU4111 World Philology
HSEA GR9875 Graduate Seminar in the Cultural History of Premodern Japan

Research Interests

Japanese History and Literature, Technology of Language in Premodern Japan

In addition to the history of writing systems and literacy, David Lurie’s research interests include: the literary and cultural history of premodern Japan; the Japanese reception of Chinese literary, historical, and technical writings; the development of Japanese dictionaries and encyclopedias; and the history of linguistic thought. Professor Lurie’s first book investigated the development of writing systems in Japan through the Heian period. Entitled Realms of Literacy: Early Japan and the History of Writing, it was awarded the Lionel Trilling Award in 2012. He is currently preparing a new scholarly monograph, tentatively entitled The Emperor’s Dreams: Reading Japanese Mythology. Along with Haruo Shirane and Tomi Suzuki, he was co-editor of the Cambridge History of Japanese Literature (2015), to which he contributed chapters on myths, histories, gazetteers, and early literature in general.

Please see his website for a complete list of publications and contributions.

Selected Publications

Realms of Literacy: Early Japan and the History of Writing (Harvard University Asia Center, 2011)

“The Development of Japanese Writing,” in The Shape of Script: How and Why Writing Systems Change (SAR Press, 2012)

“Language, Writing, and Disciplinarity in the Critique of the ‘Ideographic Myth,’” Language & Communication (2006)

Agnes Hsu-Tang

ADJUNCT ASSOCIATE RESEARCH SCHOLAR

 
 
 
 
 
 

Educational Background

BA: Bryn Mawr College
MA: University of Pennsylvania
PhD: University of Pennsylvania (’04)

Trained as an art historian and archaeologist, Agnes Hsu-Tang is a cultural heritage policy advisor and documentarian. Since 2006, Agnes has served on UNESCO World Heritage Centre’s scientific committees, participated on missions to China, Uzbekistan, and Turkmenistan, spoken at international conferences, and authored a white paper on the multi-national nominations of the Qhapag Ñan and the Continental Silk Road. In 2013, Agnes advised the United States Cultural Property Advisory Committee on the renewal of the bilateral agreement with China to reduce the illicit trafficking of cultural objects. Prior, Agnes was the Special Assistant to the former United States Ambassador to China and Korea, the late James R. Lilley.

Dr. Hsu-Tang’s recent scholarly contributions include two exhibitions, “Chinese in America: Exclusion/Inclusion” at the New-York Historical Society (2014-15), “China’s Lost Civilization: The Mystery of Sanxingdui” at the Bowers Museum (2014-15), and the English-language libretto of the new opera Paradise Interrupted at the 2015 Spoleto USA and 2016 Lincoln Center Festival.  Trained in Classical music since childhood, Dr. Hsu-Tang made her debut at the Kennedy Center for the Performing Arts in 1989.

Since 2008, Dr. Hsu-Tang has worked with television networks to develop public programs on Chinese archaeology, history, and art. Agnes is the bi-lingual host and narrator of two award-winning documentary series, Mysteries of China on History Channel Asia (2011-2013) and Chineseness on Discovery Channel Asia (2014-2015); the latter premiered during the 2014 Art Basel Hong Kong at the Asia Society Hong Kong Center. Her pervious TV credits include “The Giant Buddha at Leshan” (2009) and “Xi’an: China’s Forgotten City” (2010) on Discovery USA, “China’s Terracotta Warriors” on PBS (2011), and Mankind: The Story of All of Us series on History Channel (2012).

Dr. Hsu-Tang co-chairs the Global Council on Arts and Culture at the Asia Society and serves on the advisory boards of the Institute of International Education, the Peabody Museum of Archaeology at the Phillips Academy Andover, the University of Pennsylvania’s Museum of Archaeology and Anthropology, and the Institute of the Study of the Ancient World at NYU.   Dr. Hsu-Tang is a trustee of the New-York Historical Society, where she chairs the Exhibitions Committee, and is a managing director of the Metropolitan Opera.

Selected Publications

“Structured Perceptions of Real and Imagined Landscapes in Early Imperial China” in Geography, Ethnography, and Perceptions of the World from Antiquity to the Renaissance (Oxford, 2009)

“An Emic Perspective of the Ancient Mapmaker’s Art” Journal of the Royal Asiatic Society (Cambridge, 2007)

The Exceptional Universal Value of the Road Systems in Ancient Empires: A Comparative Study of the Chinese Oasis Route of the Early Silk Road and the Qhapag Ñan (UNESCO, 2006)

Jue Guo

ASSISTANT PROFESSOR; CO-CHAIR, COLUMBIA EARLY CHINA SEMINAR

Office: 317 Milbank Hall
On Leave Fall 2017-Spring 2018
Phone: (212) 854-9538
Email: jguo@barnard.edu
 

Educational Background

BA: Beijing University (’01)
MA: University of Wisconsin-Madison (’03)
PhD: University of Wisconsin-Madison (’08)

Classes Taught

ASCE UN1359 Introduction to East Asian Civilizations: China
AH UN1400 Colloquium on Major Texts: East Asia
HSEA GR9844 Archaeology of Everyday Lifeworld in Early China

Research Interests

Cultural Archaeology, Religion, Society, and Material Culture in Early and Medieval China, Funerary Rituals and Burial Practices, Microhistory and Object Biographies

I specialize in Early China, especially from the Warring States period to Han times (5th century B.C.E.-3rd century C.E.). My research interests are primarily in ritual practices, material culture, and social, religious, and cultural history of early societies. Using both received history and archaeological sources, I am interested in looking at the intersection and interaction between writing and object, and studying topics including divination, sacrifice, spirits, the dead and death rituals, tombs and burials, and everyday life in early to medieval China from anthropological and historical perspectives, as well as the way they are theorized in comparative studies.

I am currently finishing my first book manuscript, titled A Life on Display: Reconstructing the Worlds of a Chu Official in Early China, an attempt at providing a microhistorical and biographical account of an individual from Early China. I examine how this fourth-century B.C.E. high-ranking minister of the Warring States Kingdom of Chu, Shao Tuo, navigated and negotiated the social, political, personal, and religious realms of his lifeworlds, using the materials excavated from his intact tomb, known as the Baoshan Tomb 2 (dated to 316 B.C.E.) in combination with other archaeological sources and received literature.

Concurrently I am also working a few article-length studies of figurative representations from Neolithic to Medieval China; funerary talismanic objects from 5th century B.C.E. to 5th century C.E. China, and the concepts of and practices regarding the dead in ancient China.

Selected Publications

A Life of Display: Reconstructing the Worlds of a Chu Official in Early China (forthcoming)

“‘Knowledge of Death’ and ‘Serving the Dead’ in Qin and Han Excavated Texts: A Preliminary Analysis Based on ‘Frame works’ and a Methodological Discussion” (2013, in Chinese)

“Concepts of Death and the Afterlife Reflected in Newly Discovered Tomb Objects and Texts from Han China” (2011)