Modern

Haruo Shirane

Haruo Shirane

Shincho Professor of Japanese Literature, Vice Chair of the Department of East Asian Languages and Cultures, Faculty Director of the Donald Keene Center

Office: 420 Kent Hall
Office Hours: On leave for the spring 2020 semester
Phone: (212) 854-5031
Email: hs14@columbia.edu

Educational Background

BA: Columbia College (’74)
MA: University of Michigan (’77)
PhD: Columbia University (’83)

Classes Taught

JPNS GU4007 Introduction to Classical Japanese
JPNS GR8040 Graduate Seminar in Premodern Japanese Literature

Research Interests

Japanese Literature, Print Culture, Performance and Media

Haruo Shirane, Shincho Professor of Japanese Literature and Culture and chair of the Department of East Asian Languages and Cultures at Columbia University, teaches and writes on premodern and early modern Japanese literature and culture, with particular interest in prose fiction, poetry, performative genres (such as storytelling and theater), and visual culture. He is finishing a book called Media, Performance, and Play: Japanese Culture from Outside In, which focuses on the role of manuscript culture, media, vocality, and performance, viewing cultural processes from the social periphery. Japan and the Culture of the Four Seasons (Columbia University Press, 2012) explored the cultural constructions of nature across a wide spectrum of literature, media, and visual arts from the ancient period to the modern. Most recently, he has coedited Monsters, Animals, and Other Worlds: A Collection of Short Medieval Tales (Columbia University Press, 2018); Reading The Tale of Genji: The First Millennium(Columbia University Press, 2015); and Cambridge History of Japanese Literature (Cambridge University Press, 2015).

Haruo Shirane has been engaged in bringing new approaches to the study of Japanese literary culture. This has resulted in Japanese Literature and Literary Theory (Nihon bungaku kara no hihyo riron, Kasama shoin, 2009, edited with Fujii Sadakazu and Matsui Kenji) and New Horizons in Japanese Literary Studies (Bensei Publishing, 2009), both of which explore new issues and methodologies in the study of print and literary culture. He also edited Food in Japanese Literature (Shibundo, 2008), Overseas Studies on The Tale of Genji (Ofu, 2008) and Envisioning The Tale of Genji: Media, Gender, and Cultural Production (Columbia University Press, 2008). The latter two books analyze the impact of The Tale of Genji on Japanese cultural history in multiple genres and historical periods.

Haruo Shirane translated and edited a number of volumes on Japanese literature. These include Classical Japanese Literature, An Anthology: Beginnings to 1600 (Columbia University Press, 2006), Early Modern Japanese Literature: An Anthology, 1600-1900 (Columbia University Press, 2002; abridged edition, 2008), The Tales of the Heike (Columbia University Press, 2006, paperback 2008), and The Demon at Agi Bridge and Other Japanese Tales (Columbia University Press, 2010), a collection of setsuwa (anecdotal literature).

He is also deeply involved with the history of Japanese language and pedagogical needs and have written Classical Japanese Reader and Essential Dictionary (2007) and Classical Japanese: A Grammar (Columbia University Press, 2005).

Haruo Shirane is the recipient of Fulbright, Japan Foundation, SSRC, NEH, and Hakuhodo grants, and has been awarded the Kadokawa Genyoshi Prize, Ishida Hakyo Prize, and most recently the Ueno Satsuki Memorial prize (2010) for outstanding research on Japanese culture. He is presently the Chair of the Department of East Asian Languages and Cultures.

Professor’s Shirane’s personal website

Selected Publications

Cambridge History of Japanese Literature (chief editor, Cambridge, 2015)

Japan and the Culture of the Four Seasons (Columbia, 2012)

Inventing the Classics: Modernity, National Identity, and Japanese Literature (co-editor with Tomi Suzuki, 2001).

Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Bashô (Stanford, 1998)

The Bridge of Dreams: A Poetics of the Tale of Genji (Stanford, 1987)

Morris Rossabi

Morris Rossabi

Associate Adjunct Professor

Office Hours: T 9-10 AM
Email: mr63@columbia.edu

Educational Background

PhD: Columbia University (’70)

Classes Taught

HSEA UN3898 The Mongols in History
HIST GR6999 Graduate Seminar – History of the Mongols

Research Interests

Asian History

Professor Rossabi is a historian of China and Central and Inner Asia. He teaches courses on Inner Asian, East Asian, and Chinese history at Columbia. During the 2008–2009 academic year, he received an honorary doctorate from the National University of Mongolia. He and Mary Rossabi are involved in an oral history of 20th and 21st century Mongolia, which has led to the publication of Socialist Devotees and Dissenters; A Herder, a Trader, and a Lawyer; and The Practice of Buddhism in Kharkhorin and its Revival (National Museum of Ethnology, Osaka, 2010, 2012, and 2013).

Author or editor of 25 books, he has helped organize exhibitions at the Metropolitan Museum of Art, the Cleveland Museum of Art, and the Asian Art Museum of San Francisco. He was on the advisory board of the Project on Central Eurasia and Chair of the Arts and Culture Committee of the Soros Foundation. The author of numerous articles and speeches, he travels repeatedly to China, Central Asia, and Mongolia. In 2021, the Minister of Foreign Affairs awarded Professor Rossabi a Certificate of Merit at the Mongolian Embassy to the United Nations.

Selected Publications

The Mongols and Global History (W.W. Norton, 2010)

Modern Mongolia: From Khans to Commissars to Capitalists (University of California, 2005)

Khubilai Khan: His Life and Times (University of California, 1988)

Ying Qian

ying_qianYing Qian

Associate Professor

Office: 930 IAB
Office Hours: F 4 PM-6 PM, Appointment required

Phone: (212)854-5027
Email: yq2189@columbia.edu

Educational Background

AB: Harvard University
MPhil: University of Cambridge, UK
PhD: Harvard University (’13)

Classes Taught

EAAS UN3322 East Asian Cinema
EAAS GU4572 Chinese Documentary Cinema
EAAS GR8998 Media Cultures in China

Research Interests

Chinese-language cinema and media; transnational media histories; media of activism, reform
and critique; media ecology and knowledge formation
As a scholar of cinema and media, Ying Qian is interested in the role of media and mediation in
shaping politics, forming knowledge, and connecting realms of experience. Her first
book, Revolutionary Becomings: Documentary Media in Twentieth-Century China (Columbia
University Press, 2024) excavates documentary’s multi-faceted productivities in China’s
revolutionary movements, from the toppling of the Qing Empire in 1911 to the political
campaigns and mass protests in the Mao and post-Mao eras. It approaches documentary as an
“eventful medium,” and as a prism to examine the mutual constitution of media and revolution:
how revolutionary movements gave rise to specific media practices, and how these media
practices in turn contributed to the specific paths of revolution’s actualization. She’s now
working on a new monograph on media and the ecologies of knowledge in China’s reform and
opening. Ying Qian’s articles have appeared in Critical Inquiry, New Left Review, China
Perspectives, New Literary History of Modern China, Oxford Handbook of Chinese
Cinemas, and other journals and websites. At Columbia, she teaches classes on East Asian
cinema, Chinese media cultures, documentary media, media of science and technology, and
comparative media theory and history. Drawing from her experiences in filmmaking, she has
incorporated creative assignments in her classes, guiding students to try their hands on media
productions.

Selected Publications

Revolutionary Becomings: Documentary Media in Twentieth-Century China (Columbia
University Press, 2024)

“When Taylorism Met Revolutionary Romanticism: Documentary Cinema in China’s Great Leap
Forward”, Critical Inquiry (Spring 2020).

“The Spectre of Liu Shaoqi,” in A New Literary History of Modern China (Harvard, 2017)
“Working with Rubble: Montage, Tweets, and the Reconstruction of an Activist Cinema,”
in China’s iGeneration: Filmmakers, Films and Audiences in a New Media Age (Continuum,
2014)

“Power in the Frame: Independent Documentary in China,” The New Left Review (2012)