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CKR

Tagged With: CKR, Korea, Korean Studies

Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday

Ksenia Chizhova, Princeton University
Moderated by Jungwon Kim, Columbia University

Friday, May 14, 2021
10:00 AM – 11:30 AM
Registration required.

Co-sponsored by Academy of Korean Studies; Department of East Asian Languages and Cultures, Columbia University

Abstract:The lineage novel flourished in Korea from the late seventeenth to the early twentieth century. These vast works unfold genealogically, tracing the lives of several generations. New storylines, often written by different authors, follow the lives of the descendants of the original protagonists, offering encyclopedic accounts of domestic life cycles and relationships. Elite women transcribed these texts—which span tens and even hundreds of volumes—in exquisite vernacular calligraphy and transmitted them through generations in their families.

In Kinship Novels of Early Modern Korea, Ksenia Chizhova foregrounds lineage novels and the domestic world in which they were read to recast the social transformations of Chosŏn Korea and the development of early modern Korean literature. She demonstrates women’s centrality to the creation of elite vernacular Korean practices and argues that domestic-focused genres such as lineage novels, commemorative texts, and family tales shed light on the emergence and perpetuation of patrilineal kinship structures. The proliferation of kinship narratives in the Chosŏn period illuminates the changing affective contours of familial bonds and how the domestic space functioned as a site of their everyday experience. Drawing on an archive of women-centered elite vernacular texts, Chizhova uncovers the structures of feelings and conceptions of selfhood beneath official genealogies and legal statutes, revealing that kinship is as much a textual as a social practice. Shedding new light on Korean literary history and questions of Korea’s modernity, this book also offers a broader lens on the global rise of the novel

Ksenia Chizhova is Assistant Professor of East Asian Studies Director of Undergraduate Studies at Princeton University. Her areas of interest are history of emotions, family, and scriptural practices in Korea, from the late eighteenth to the twentieth century. Her first manuscript, Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday, published by Columbia University Press, looks into the rise and fall of the lineage novel (kamun sosŏl), which narrated the interstices of Korea’s kinship system and foregrounded the genealogical subject—a structure of identity defined by kinship obligation and understood as socialization of the emotional self. Lineage novels, which constituted the core of elite vernacular Korean literature and circulated between the late 17th and early 20thcenturies, configure Korean kinship as a series of clashes between genders and generations, which produce unruly, violent emotions.

05/14/2021 by Work Study

Tagged With: CKR, Korea, Korean Studies

The Power of the Brush: Epistolary Practices in Chosŏn Korea

CKR Online Book Talk

The Power of the Brush: Epistolary Practices in Chosŏn Korea

Hwisang Cho, Emory University
Friday, April 23, 2020
11 AM
Registration required.

Co-sponsored by Columbia University Seminar; the Academy of Korean Studies, Seoul, Korea

04/23/2021 by Work Study

Tagged With: CKR, Korea, Korean Studies

“Searching for the Influence of Korean Identity, Aesthetics and Culture in the Exiled Korean-German Composer Isang Yun’s Monolog für Fagott (1983/84)”

Yoon Joo Hwang, University of Central Florida
Moderated by Seong Uk Kim, Columbia University

Monday, April 12, 2021
11:40 AM – 12:50 PM
Registration required.

Co-sponsored by Academy of Korean Studies; Department of East Asian Languages and Cultures, Columbia University

Abstract:

Music is a powerful and dynamic language that reflects culture, tradition and politics and is particularly well suited to examining these ideologies via its cross-cultural reach. The Korean German composer Isang Yun created own his musical language and voice, combining both Western musical forms of the European avant-garde and influences from East Asian culture and philosophies. The dramatic political situations of twentieth-century Korea strongly influenced
Yun’s life and works. His early years witnessed the Japanese occupation, the Korean War, the division of the peninsula into North and South Korea, and the dictatorship of Park Chung Hee. Yun was accused of being a communist spy and imprisoned in South Korea during the East Berlin Spy Incident (1967), and ultimately lived in exile in Germany for the rest of his life. His music was banned in Korea; as a result, most Koreans learned of him and his works much later
than scholars in other countries. Furthermore, his political experience is reflected in his works. Yun sought to make his music a bridge between South and North Korea despite their tensions and differing ideologies. His origins and his political experiences led him to express in music the quintessentially Korean emotion of 한 (Han), longing and nostalgia; thus Yun’s musical inventions sought to express an essence of “Koreanness” in his works.

04/12/2021 by Work Study

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