Du Family Professor of Chinese Culture
Office: 706 Uris Hall
Office Hours: On leave for the fall 2020 semester
Phone: (212) 854-1526
BA: Peking University (’82)
MA: Peking University (’84)
PhD: Harvard University (’95)
AHUM UN1400 Colloquium on Major Texts: East Asia
CHNS GU4507 Readings in Classical Chinese
EAAS GR8030 Pre-Modern Chinese Fiction
Pre-modern Chinese Literature, Cultural and Intellectual History with special attention to Fiction and Drama of the Ming and Qing dynasties (1368-1911).
Professor Wei Shang specializes in pre-modern Chinese literature and culture, especially the fiction and drama of the Ming and Qing dynasties. His research interests also include print culture, book history and intellectual history of the same period. His book “Rulin Waishi” and Cultural Transformation in Late Imperial China (2003) addresses the role of Confucian ritualism and fiction in shaping the intellectual and cultural changes of the eighteenth century. His other publications are concerned with Jin Ping Mei Cihua (The Plum in the Golden Vase), late Ming culture, fiction commentary, and medieval poetry, including Writing on Landmarks: From Yellow Crane Tower to Phoenix Pavilion (2020). He is the editor and co-editor of several volumes in both English and Chinese, and a contributor to The Cambridge History of Chinese Literature (2010).
Rulin Waishi and Cultural Transformation in Late Imperial China. Harvard University Asian Center, 2003.
Writing on Landmarks: From Yellow Crane Tower to Phoenix Pavilion (Tixie mingsheng: cong huanghe lou dao fenghuang tai). Beijing: Sanlian Publishing House, 2020.
Old-Style Prose: An Annotated Anthology for Young Readers (Gei haizi de guwen). Beijing: Moveable Type, 2019.
Dynastic Crisis and Cultural Innovation: From the Late Ming to the Late Qing and Beyond (co-edited with David Der-wei Wang). Harvard University Asian Center, 2005.
A special issue of Journal of Chinese Literature and Culture: Literature and Visual Culture in Early Modern China (co-edited with Xingpei Yuan), Duke University Press, 2015.
“Fictional Performances: Royal Birthday Ceremonies and the Self-Imagination of the Empire in Yesou puyan”. Literary Heritage (Wenxue yichan), no. 3, 2017: 155-167.
“The Formation of a Poly-textual Novel: From The Water Margin to The Plum in the Golden Vase”. The Journal of Fudan University, no. 5, 2016: 31-58.
“A Lively Illusion: Occidental Lens, Linear Perspective, and the Phantom of the Grand Prospect Garden” (I, II, III). Studies of Cao Xueqin (Cao Xueqin yanjiu), no. 1, 2, 3, 2016: 95-117 (I); 103-123 (II); (38-62 (III).
“Truth Becomes Fiction When Fiction is True: The Story of the Stone and the Visual Culture of the Manchu Court”. A special issue of Journal of Chinese Literature and Culture: Literature and Visual Culture in Early Modern China, October 2015: 207-248.
“Writing and Speech: Rethinking the Issue of Vernaculars in Early Modern China”, Rethinking East Asian Languages, Vernaculars, and Literacies, 1000-1919 (edited by Benjamin Elman). Brill: Leiden/Boston, 2014: 254-301.