Ying Qian

Associate Professor

Office: 930 IAB
Office Hours: F 4 PM-6 PM, Appointment required

Phone: (212)854-5027
Email: yq2189@columbia.edu

Educational Background

AB: Harvard University
MPhil: University of Cambridge, UK
PhD: Harvard University (’13)

Classes Taught

EAAS UN3322 East Asian Cinema
EAAS GU4572 Chinese Documentary Cinema
EAAS GR8998 Media Cultures in China

Research Interests

Chinese-language cinema and media; transnational media histories; media of activism, reform
and critique; media ecology and knowledge formation
As a scholar of cinema and media, Ying Qian is interested in the role of media and mediation in
shaping politics, forming knowledge, and connecting realms of experience. Her first
book, Revolutionary Becomings: Documentary Media in Twentieth-Century China (Columbia
University Press, 2024) excavates documentary’s multi-faceted productivities in China’s
revolutionary movements, from the toppling of the Qing Empire in 1911 to the political
campaigns and mass protests in the Mao and post-Mao eras. It approaches documentary as an
“eventful medium,” and as a prism to examine the mutual constitution of media and revolution:
how revolutionary movements gave rise to specific media practices, and how these media
practices in turn contributed to the specific paths of revolution’s actualization. She’s now
working on a new monograph on media and the ecologies of knowledge in China’s reform and
opening. Ying Qian’s articles have appeared in Critical Inquiry, New Left Review, China
Perspectives, New Literary History of Modern China, Oxford Handbook of Chinese
Cinemas, and other journals and websites. At Columbia, she teaches classes on East Asian
cinema, Chinese media cultures, documentary media, media of science and technology, and
comparative media theory and history. Drawing from her experiences in filmmaking, she has
incorporated creative assignments in her classes, guiding students to try their hands on media
productions.

Selected Publications

Revolutionary Becomings: Documentary Media in Twentieth-Century China (Columbia
University Press, 2024)

“When Taylorism Met Revolutionary Romanticism: Documentary Cinema in China’s Great Leap
Forward”, Critical Inquiry (Spring 2020).

“The Spectre of Liu Shaoqi,” in A New Literary History of Modern China (Harvard, 2017)
“Working with Rubble: Montage, Tweets, and the Reconstruction of an Activist Cinema,”
in China’s iGeneration: Filmmakers, Films and Audiences in a New Media Age (Continuum,
2014)

“Power in the Frame: Independent Documentary in China,” The New Left Review (2012)