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Work Study

Filed Under: Featured Spot, spotlight

Dr. Leta Hong Fincher’s speech to The Carter Center, ‘Women and Resistance in China’

Click here to read the text of remarks given by Dr. Leta Hong Fincher (Research Associate, Weatherhead East Asia Institute & author of Leftover Women: The Resurgence of Gender Inequality in China) at the Jimmy Carter Forum on U.S.-China Relations 2026 in Atlanta, GA.

02/27/2026 by Work Study

Yifan Zhang

Yifan Zhang

Postdoctoral Research Scholar, Heyman Center for the Humanities
Lecturer, Department of East Asian Languages and Cultures
 

Office: Heyman Center B-204
Office Hours: Wednesdays 2-4 pm (and by appointment)

Email: yz2681@columbia.edu

 
Educational Background
BA: Peking University
MA: Columbia University
PhD: Columbia University
 
Classes Taught
Asian Humanities UN1400: Colloquium on Major Texts
East Asian GU4255: Cities and Everyday Life in Chinese Cultural History
 
Research Interests

Early modern Chinese literature (particularly fiction, drama, and popular literature); urban history; local language, writing, print, and oral media; knowledge and material cultures


Yifan Zhang is a scholar of Chinese literature and cultural history with a focus on the Ming-Qing period (1368-1911). He originally trained in Chinese philology and classical textual scholarship. His interest in the heterogeneity of the Ming-Qing cultural landscape has led him to draw on interdisciplinary methods to engage with both canonical and non-canonical genres, with particular attention to the role of literary practices in world-making.

He is currently preparing a book manuscript based on his dissertation on the entrepreneurial editor Feng Menglong’s (1574-1646) Mountain Songs. This project explores the generative potential of the local Wu language, otherwise marginalized or romanticized, in Feng’s artful reinvention of a racy song genre across media, and in the making of the city of Suzhou as both a material arena and sensuous imagery of fashion in early modern China. By rectifying conventional discourses on the folksong, it offers a new framework for understanding the localized, embodied dynamics of early modern culture-making.

His second book project seeks to probe the interrelation between environmental disorder, literary imagination, and empire-building by focusing on the issue of water in China’s long eighteenth century. His other ongoing projects include the craze for a Suzhou-branded playing-card game in the seventeenth century, and the intertwined aesthetics of Ming-Qing vernacular fiction and the decorative arts of domestic spaces and objects.

Filed Under: current-masters-students

  Nuoyan Yu

Early China

01/01/2026 by Work Study

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