Michelle L. Hauk

Field: Modern Japanese History
Advisors: Gregory Pflugfelder & Paul Kreitman
Email: mlh2210@columbia.edu

 

Dr. Michelle L. Hauk is an Assistant Professor in Architectural History and Theory at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. Trained in both architectural design and history, she specializes in the history of architecture, technology, and society in twentieth-century Japan. After earning her Ph.D. in Japanese History from the Department of East Asian Languages and Cultures at Columbia University in 2023, she spent one year as a postdoctoral fellow at the Reischauer Institute of Japanese Studies at Harvard University. A recipient of both the Fulbright Graduate Study/Research Award and a Fulbright-Hays Doctoral Dissertation Research Abroad Grant, Dr. Hauk received her M.Arch and MSAS from Washington University in St. Louis (WashU) in 2015.

Dr. Hauk’s research focuses on the rapid evolution of Japan’s residential environment and everyday life in the twentieth century on both an urban and domestic scale, particularly in the design of public housing and postwar new towns. Her current project examines how the development of water infrastructure and the technologies that organize its flow reconfigured the twentieth-century Japanese dwelling and paved the way for the prefabrication of its kitchens and baths. In her scholarship and teaching, she considers the ways in which the design of water within domestic environments intersects with social relationships, cultural practices, and the natural environment.

Dr. Hauk offers seminars on topics including Japanese architecture, East Asian urbanism, women in architecture, and the design history of water-related spaces, where she combines research and writing with studio-based exercises that directly engage students with primary-source architectural documents, literature, and film.

Cameron Foltz

Field: Tibetan and Chinese History
Advisor: Gray Tuttle
Email: c.foltz@columbia.edu

Cameron Foltz is a PhD candidate specializing in nineteenth and twentieth-century Chinese and Tibetan history. He is broadly interested in territoriality, migration, ethnicity, and governance in China’s western frontiers. 

His dissertation project draws on Chinese and Tibetan sources to demonstrate that an international wool boom (c. 1880–1930) driven by US carpet production profoundly reshaped the political geography of what would become Qinghai Province (f. 1928) in northwest China. Tibetan pastoralists, who supplied much of the wool, were enriched enough to build community monasteries to territorialize lands that they seized from Mongol communities. Following the collapse of the Qing Dynasty in 1912, this lucrative trade soon drew the attention of the Hui Muslim military rulers in Xining who sought to monopolize its profits and incorporate disparate communities into the new province. His second project focuses on decollectivization among pastoralists in Qinghai Province.

Tenzin Yewong Dongchung

Field: Tibetan and Chinese History
Advisor: Gray Tuttle
Email: tyd2102@columbia.edu

In her dissertation, Yewong Dongchung studies the cultural and material history of woodblock printing technology in Tibet and Inner Asia from the seventeenth to the nineteenth century. Her chapters are based on major printing sites in Beijing, Kham, Central Tibet, and Amdo/Mongolia. In her study of artisans and artisanal knowledge, her methodology is informed by material culture studies (studied under Professor Dorothy Ko) and history of science and technology (studied under Professor Pamela Smith). She works closely with museum collections on Tibetan materials and has completed an orals field in Philosophy of History with Professor Manan Ahmed to understand the connected histories of colonialism and secularism in dealing with the collected objects. 

Yewong completed her Master’s thesis on a twentieth-century Tibetan monastery architect and a master carver called Cho Phuntsok. She earned her undergraduate degree at Wellesley College. 

Recent publications and events:

Review of “Common Ground: Tibetan Buddhist Expansion and Qing China’s Inner Asia.” By Lan Wu, New York: Columbia University Press: 2022. In Yeshe: A Journal of Tibetan Literature, Arts and Humanities.

Co-organized and moderated “Presenting Tibet: A Curators’ Roundtable Discussion” with four curators from Rubin Museum of Art, the Asian Art Museum of San Francisco, and the Metropolitan Museum of Art in 2021.

“An Eighteenth-Century Textual Labyrinth: How a Printing Network of Tibetan Buddhism Developed in Qing Inner Asia Under the Kangxi Emperor’s reign,” Waxing Moon Journal, an annual, peer reviewed journal hosted by the Centre for Digital Research and Scholarship at Columbia University, 2021.

“Understanding Carton in early modern Europe, fol. 41r,” The Making and Knowing Project, A Digital Critical Edition of BnF Ms Fr. 640, 2020. For more information see https://www.makingandknowing.org/

Review of “Tibetan Resettlement Stories: Voices of Boston.” High Peaks Pure Earth, 2019.