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recent-phds

Filed Under: recent-phds

Constantine Lignos

Constantine Lignos

Field: Sino-Tibetan History & Religion
Advisor: Gray Tuttle and Jacob Dalton (UC Berkeley)
Email: cjl2212@columbia.edu

Constantine’s research focuses on the history of public ritual performance in Tibet and its Mongol and Manchu adoption in the borderlands.  He is interested in the transference of religious ritual performance (particularly ‘cham/‘chams, the masked monastic dance) to the social and political spheres during the ascendence of the Fifth Dalai Lama and the establishment of the Ganden Phodrang.  More broadly, his project explores the relationship between public ritual and sacral rulership to reconsider the nature of the “theatre state.” He is also compiling a glossary of Tibetan terms relevant to the LGBTQ community. Previously, he received his MA in Tibetan Studies from Columbia and his MA in Performance Studies from NYU Tisch.

01/02/2020 by Nicole Roldan

Filed Under: recent-phds

Crismon Lewis

Crismon Lewis

Field: Chinese History

Advisor: Feng Li

Email: crismon.lewis@columbia.edu

Crismon Lewis is a Ph.D. candidate of pre-modern Chinese history. His dissertation project, entitled “Western Zhou (1045–771 BCE) Bronze Inscriptions and the Beginnings of Early Chinese Literature,” traces the evolutionary development of early bronze inscriptional practice and explores their literary and aesthetic qualities. His research also concerns questions of literacy and its expansion in early first millennium BCE China.

Prior to joining the EALAC department, Crismon received an M.A. in Chinese from the University of Colorado Boulder and a B.A. in Chinese from Brigham Young University.

01/01/2019 by Nicole Roldan

Filed Under: recent-phds

Hana Lethen

Hana Lethen

Field: Japanese Literature
Advisor: Haruo Shirane
Email: hana.lethen@columbia.edu

Hana Lethen is a PhD candidate specializing in theater and performance in premodern Japan. In particular, her work focuses on how the embodied techniques, aesthetic conventions, and other distinguishing characteristics of medieval theatrical genres offer insights in excess of privileged textual and documentary archives. Her dissertation, Choreographies of Eccentricity: Madness, Dance, and Gender in Medieval Noh Theater, examines how the identification of madness with dance shaped embodiments of difference in noh’s genre of “madness plays.” Evidencing her steadfast commitment to scholarship informed by praxis, she has extensive training and performance experience in noh dance and chanting as well as nihon buyō.

Hana’s article, “Moving Spectacles: Madwomen and Human Trafficking in Noh’s Peripheries,” was published in the Spring 2026 issue of Verge: Studies in Global Asias. Her research has been supported by the Fulbright and FLAS fellowships. She received her AB in comparative literature from Princeton in 2017.

01/01/2018 by admin

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