Japan

Tomi Suzuki

Tomi Suzuki

Professor of Japanese Literature, Director of Graduate Studies

Office: 703 Uris Hall
Office Hours: T 4:30-5:30 PM (by appointment) or by appointment
Phone: (212) 854-5034
Email: ts202@columbia.edu

Educational Background

BA: University of Tokyo (’74)
MA: University of Tokyo (’77)
PhD: Yale University (’88)

Classes Taught

AHUM U3830 Colloquium on Modern East Asian Texts
JPNS GU4008 Readings in Classical Japanese
JPNS GR9020 Graduate Seminar in Modern Japanese Literature

Research Interests

Modern Japanese Literature and Criticism in Comparative Context, Literary and Cultural Theory, Narrative, Genre, and Gender Theory, Modernism and Modernity, Intellectual History of Modern Japan, History of Reading

Professor Suzuki joined the department at Columbia University in 1996. She has published extensively in both the English and Japanese languages.  Currently, Professor Suzuki is completing a book entitled Gender, Literary Culture, and Nation in Japan: 1880s-1950s, which investigates the formation of the literary field from the late nineteenth century to the postwar period in relationship to gender construction, language reform, and education. It explores the modernist construction and questioning of Japanese linguistic and cultural traditions in a transnational context. Most recently, she co-edited The Cambridge History of Japanese Literature.

Selected Publications

The Cambridge History of Japanese Literature (co-editor, Cambridge, 2016).

“Translations and Modern Japanese Literature: Re-reading Mori Ogai’s Maihime at Columbia University,” Bungaku (2014, in Japanese)

“Transformations and Continuities: Censorship and Occupation-Period Criticism,” in Occupation-period Literary Journals: 1946–1947, vol. 2 (Iwanami Shoten, 2010, in Japanese)

Censorship, Media, and Literary Culture in Japan (author and co-editor, Shin’yōsha, 2012)

Inventing the Classics: Modernity, National Identity, and Japanese Literature (author and co-editor, Stanford University, 2001)

Narrating the Self: Fictions of Japanese Modernity (Stanford, 1996)

Haruo Shirane

Haruo Shirane

Shincho Professor of Japanese Literature, Vice Chair of the Department of East Asian Languages and Cultures, Faculty Director of the Donald Keene Center

Office: 717 Uris Hall
Office Hours: On leave for the spring 2020 semester
Phone: (212) 854-5031
Email: hs14@columbia.edu

Educational Background

BA: Columbia College (’74)
MA: University of Michigan (’77)
PhD: Columbia University (’83)

Classes Taught

JPNS GU4007 Introduction to Classical Japanese
JPNS GR8040 Graduate Seminar in Premodern Japanese Literature

Research Interests

Japanese Literature, Print Culture, Performance and Media

Haruo Shirane, Shincho Professor of Japanese Literature and Culture and chair of the Department of East Asian Languages and Cultures at Columbia University, teaches and writes on premodern and early modern Japanese literature and culture, with particular interest in prose fiction, poetry, performative genres (such as storytelling and theater), and visual culture. He is finishing a book called Media, Performance, and Play: Japanese Culture from Outside In, which focuses on the role of manuscript culture, media, vocality, and performance, viewing cultural processes from the social periphery. Japan and the Culture of the Four Seasons (Columbia University Press, 2012) explored the cultural constructions of nature across a wide spectrum of literature, media, and visual arts from the ancient period to the modern. Most recently, he has coedited Monsters, Animals, and Other Worlds: A Collection of Short Medieval Tales (Columbia University Press, 2018); Reading The Tale of Genji: The First Millennium(Columbia University Press, 2015); and Cambridge History of Japanese Literature (Cambridge University Press, 2015).

Haruo Shirane has been engaged in bringing new approaches to the study of Japanese literary culture. This has resulted in Japanese Literature and Literary Theory (Nihon bungaku kara no hihyo riron, Kasama shoin, 2009, edited with Fujii Sadakazu and Matsui Kenji) and New Horizons in Japanese Literary Studies (Bensei Publishing, 2009), both of which explore new issues and methodologies in the study of print and literary culture. He also edited Food in Japanese Literature (Shibundo, 2008), Overseas Studies on The Tale of Genji (Ofu, 2008) and Envisioning The Tale of Genji: Media, Gender, and Cultural Production (Columbia University Press, 2008). The latter two books analyze the impact of The Tale of Genji on Japanese cultural history in multiple genres and historical periods.

Haruo Shirane translated and edited a number of volumes on Japanese literature. These include Classical Japanese Literature, An Anthology: Beginnings to 1600 (Columbia University Press, 2006), Early Modern Japanese Literature: An Anthology, 1600-1900 (Columbia University Press, 2002; abridged edition, 2008), The Tales of the Heike (Columbia University Press, 2006, paperback 2008), and The Demon at Agi Bridge and Other Japanese Tales (Columbia University Press, 2010), a collection of setsuwa (anecdotal literature).

He is also deeply involved with the history of Japanese language and pedagogical needs and have written Classical Japanese Reader and Essential Dictionary (2007) and Classical Japanese: A Grammar (Columbia University Press, 2005).

Haruo Shirane is the recipient of Fulbright, Japan Foundation, SSRC, NEH, and Hakuhodo grants, and has been awarded the Kadokawa Genyoshi Prize, Ishida Hakyo Prize, and most recently the Ueno Satsuki Memorial prize (2010) for outstanding research on Japanese culture. He is presently the Chair of the Department of East Asian Languages and Cultures.

Professor’s Shirane’s personal website

Selected Publications

Cambridge History of Japanese Literature (chief editor, Cambridge, 2015)

Japan and the Culture of the Four Seasons (Columbia, 2012)

Inventing the Classics: Modernity, National Identity, and Japanese Literature (co-editor with Tomi Suzuki, 2001).

Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Bashô (Stanford, 1998)

The Bridge of Dreams: A Poetics of the Tale of Genji (Stanford, 1987)

Andrew Plaks

Andrew Plaks

Associate Adjunct Professor
Office: 410A
Office Hours: WF 9:00-10:00
Email: ap3606@columbia.edu

Educational Background

AB: Princeton University (’67)
PhD: Princeton University (’73)

Research Interests

Chinese and Japanese Classical Literature

Selected Publications

Pu Andi Zixuanji (Collected Works of Andrew Plaks). Beijing: Sanlian shuju (2011)

“Zheng Xuan’s Commentary on the Zhouli,” in Statecraft and Classical Learning: the Rituals of Zhou in East Asian History, ed. Benjamin A. Elman and Martin Kern (Leiden: Brill, 2010).

“Why the Chinese Gods Don’t Suffer?,” in Studies in Chinese Language and Culture: Festschrift in Honor of Christoph Harbsmeier (2006).

“Xin as the Seat of the Emotions in Confucian Self-cultivation,” in Love, Hatred, and Other Passions, ed. Paolo Santangelo and Donatella Guida (Leiden: Brill, 2006), pp.113-25.

“Completeness and Partiality in Traditional Commentaries on Honglou meng,” Tamkang Review (XXXVI:1-2), Fall-Winter 2005. pp. 117-35

“Xin as the Seat of the Emotions in Confucian Self-cultivation,” in Love, Hatred, and Other Passions, ed. Paolo Santangelo and Donatella Guida (Leiden: Brill, 2006), pp.113-25.

The Highest Order of Cultivation and On the Practice of the Mean. London: Penguin Classics (2003)