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core faculty

Lili Xia

Lili Xia

Assistant Professor of Premodern Chinese Literature, Barnard College

Office:  317 Milbank Hall, Barnard College

Office Hours: On leave in fall 2026
W 4:10–6:00pm & by appointment in spring 2027

Email:  lxia@barnard.edu

Educational Background

BA: Fudan University
MA: Fudan University
PhD: Princeton University

Classes Taught

FYSB BC1001 Cultural Memory
AHUM UN1400 Colloquium on Major Texts: East Asia
EAAS BC3840 Beyond the Great Wall: Nomadic Empires and China
EAAS GU4370 Literati Culture in Pre-Modern China
EAAS GR8383 Crossroads in Middle-Period China: Topics of Song-Jin-Yuan Literary Culture

Research Interests

Lili Xia is a scholar of premodern Chinese literature. Her broader research interests include Sino-steppe interactions, cultural memory, print and book culture, intermediality, and digital humanities.

She is now working on her book project titled “North against South in Middle Period China: Classical Poetry and Literati Culture under Jurchen Jin Rule (1115–1234).” By demonstrating a rival narrative of claiming China in the Sino-Jurchen North against the cultural orthodoxy conceptualized in the Han Chinese-ruled South, the book illustrates the burgeoning literati culture under Jurchen rule, and fleshes out the Jin poetic production in particular. While making full use of Jin literary texts, this book is further enriched by art history and material culture, as well as digital tools of social network and geographic analysis to better represent Jin literati culture on the whole. Her research aims to reveal the heterotopia and heteroglossia of China as an intersubjective, transcultural, and border-crossing space in the Middle Period (800–1400 CE).

Before coming to Barnard, she received her B.A. and M.A. in Classical Chinese Literature at Fudan University, and her Ph.D. in East Asian Studies at Princeton University. She was the 2023–24 Louis Frieberg Postdoctoral Fellow in the Department of Asian Studies at the Hebrew University of Jerusalem. She is currently a 2026 visiting fellow at the Ying-shih Yü International Center for History and the Chinese Humanities (YCHCH), National Taiwan University.

Selected Publications

“Teaching Sinitic Knowledge of the Universal Ruler in Jin-Yuan Court Lectures and Civil Education.” Journal of Song-Yuan Studies 55 (2026): 54–102.

“To Build or Not to Build? Frontier Walls, Trenches, and Forts in Mid-Jin Politics, 1161–1208.” Co-authored with Johannes S. Lotze, Zhidong Zhang, and Gideon Shelach-Lavi. T’oung Pao 112 (2026): 163–214.

“Qiuchi as Heterotopia: The Other Space for Su Shi.” Journal of the American Oriental Society 142.1 (2022): 93–119.

“Two Narratives of ‘Grand Peace’ in Northern Song Historiography and the Song Cultural Memory” (北宋仁、徽兩朝的“太平敍事”與宋人文化記憶). Zhonghua wenshi luncong (Journal of Chinese Literature and History) 139 (2020): 219–40. (in Chinese)

Gray Tuttle

Gray Tuttle

Leila Hadley Luce Professor of Modern Tibetan Studies, Chair of the Department of East Asian Languages and Cultures

Office: 401 Kent Hall
Office Hours: By appointment
Phone: (212) 854-4096
Email: gwt2102@columbia.edu

Educational Background

BA: Princeton University (’91)
MA: Harvard University (’96)
PhD: Harvard University (’02)

Classes Taught

ASCE UN1365 Introduction to East Asian Civilizations: Tibet
EARL GU4310 Life Writing in Tibetan Buddhism
HSEA GU4720 20th Century Tibetan History

Research Interests

Tibetan History & Religion

Gray Tuttle studies modern Tibetan history, from the 1600s to the 1950s. The role of Tibetan Buddhism in the history of twentieth century Sino-Tibetan relations as well as Tibet’s relations with the China-based Manchu Qing Empire is central to all his research. In his Tibetan Buddhists in the Making of Modern China (Columbia UP, 2005), he examined the failure of nationalism and race-based ideology to maintain the Tibetan territory of the former Qing empire as integral to the Chinese nation-state. Instead, he argues, a new sense of pan-Asian Buddhism was critical to Chinese efforts to hold onto Tibetan regions (one quarter of China’s current territory). His current research project, “Amdo Tibet, Middle Ground between Lhasa and Beijing (1578-1865),” is a historical analysis of the economic and cultural relations between China and Tibet in the early modern periods (16th – 19th centuries) when the intellectual and economic centers of Tibet shifted to the east, to Amdo — a Tibetan cultural region the size of France in northwestern China. Deploying Richard White’s concept of the “Middle Ground” in the context of two mature civilizations — Tibetan and Chinese — encountering one another, this book will examine how this contact led to three dramatic areas of growth that defined early modern Tibet: 1) the advent of mass monastic education, 2) the bureaucratization of reincarnate lamas’ charisma and 3) the development of modern conceptions of geography that reshaped the way Tibet was imagined. Recently he has turned to increasingly large data sets in an effort to ask and answer new questions about Tibetan history. In an effort to ask and answer new questions about Tibetan history, Gray has turned to increasingly large data sets over the course of his career. Starting with a database of over 1000 Amdo monasteries with dozens of fields of data (GIS location, foundation data, number of monks, rooms, livestock, etc), led to building datasets on 100s of incarnation series and monastic colleges as well, which have shaped the direction of the Amdo history book project in significant ways. Lately, with a research assistant, Gray has worked with larger datasets and the statistical computing and graphing programming language called “R” to examine existing data on Tibetan (mostly monk’s) longevity in comparison with Chinese monks, Chinese literati, and Europeans in history. Future plans include working with even larger datasets by examining the hydrology of the Tibetan plateau with climate scientists, to see if new perspectives of the large arcs of Tibetan history might be reframed by a deeper understanding of climate data.

Selected Publications

With Geoff Childs (Washington University in St. Louis), Rebecca Kippen (Monash University), “Longevity and Life Expectancy Fluctuations among Tibetan Lamas from the Twelfth to the Twentieth Century,” Forthcoming in Revue d’Etudes Tibétaines.

“A Qing Court Lama Dreaming His Place in the World,” A Living Endeavor: Individuals and their Inner Worlds in Chinese Religious Life. Edited by James Benn and Ben Brose. Brill, 2025, pp. 98-118.

With Lan Wu. “Tibetan Buddhist Vanguards among the Mongols and Manchus, 1576-1638.” Revue d’Etudes Tibétaines, (October 2021).

“Pattern Recognition: Tracking the Spread of the Incarnation Institution through Time and across Tibetan Territory.” Revue d’Etudes Tibétaines. 38 (February 2017)

Ethnic Conflict and Protest in Tibet and Xinjiang: Unrest in China’s West. Co-edited with Ben Hillman. New York: Columbia University Press, 2016.

Sources of Tibetan Tradition (co-editor, Columbia, 2013)

The Tibetan History Reader (co-editor, Columbia, 2013)

Tibetan Buddhists in the Making of Modern China (Columbia, 2005)

Takuya Tsunoda

Takuya Tsunoda

Associate Professor of Japanese Film and Media

Office: 416 Kent Hall
Office Hours: Wednesday 11:00AM-12:00PM or by appointment
Phone: (212) 854-5040
Email: tt2101@columbia.edu

Educational Background

BA: Waseda University (’02), Columbia University (’05)
MA: Columbia University (’08)
PhD: Yale University (’15)

Classes Taught

EAAS UN3322 East Asian Cinema
EAAS UN3343 Japanese Contemporary Cinema and Media Culture
EAAS GU4122 Japanese New Wave and Cinematic Modernism
EAAS GU4123 Japanese Documentary Films
EAAS GR6400 Critical Approaches to East Asian Studies: Literary and Cultural Theory
EAAS GR8070 Graduate Seminar in Japanese Cinema and Visual Culture

Research Interests

Japanese cinema and media, educational and science film, industrial cinema, history and theory of audio-visual pedagogy, media archaeology, cinematic modernism, new cinemas of the 1960s, television

Takuya Tsunoda’s primary research centers on the interplay between institutions and media, technologies and socio-cultural practices, science and material culture, and representation and knowledge formations. He is currently at work on a book project about Iwanami Productions, which evolved from a major provider of sponsored educational, science and public relations films into a key player in the new cinemas of the 1960s in Japan. Grounding his research in archival materials, he highlights the historical and theoretical intersection between media-based governmental and civic activities, cross-medial articulation of postwar academicism in Japan, and a postwar struggle over the legacy and meaning of cinematic modernism. Looking beyond the activist logic of political radicalism, his book argues that the crucial root of new cinemas in Japan resided in institutionalized audio-visual pedagogy and image-making practice. This project works towards new transnational parameters that relate the cinematic New Wave to a range of epistemic transformations and changing mediascapes occurring in the period. His recent research interests extend to such topics as various modes of reflexivity, children and media, the emergence of alpine photography and insect ecology, television documentaries as well as the relationship between diegesis and contemporary media cultures.

Prior to joining the Columbia faculty, he taught at Colgate University and the University of Chicago.

Selected Publications

Processual Technics: Industrial Documentary, Audio-Visual Education, And New Cinemas in Postwar Japan (Columbia University Press, forthcoming). 

“Taxonomy of Techniques: Visions of Industrial Cinema in Postwar Japan,” in Films That Work Harder: The Circulations of Industrial Cinema (Amsterdam, 2024), pp. 249-273.

“Hani Susumu, Nouvelle Vague in Japan and Processive Cinema,” in A Companion to Japanese Cinema (Blackwell, 2022), pp. 612-638.

“The Living Sea: Okinawa, 1958 and the postwar media Dispositif.” Journal of Japanese and Korean Cinema 13:2 (Nov. 2021), pp. 99-117.

“Iwanami Photo Library and Natori Yōnosuke on Photography,” in Mediology in the Transformative Period: Reconfiguration of Art and Media in 1950s Japan (Shinwasha, 2019, in Japanese), pp. 84-104.

“Index and Deixis: Jinba Isao and Polluted Water Karte,” in Images of Postwar Japan: Pollution, Youth Rebellion, and the Osaka Exhibition (Univ. of Tokyo, 2018, in Japanese), pp. 47-68.

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